BLSI 分享 | 临时搭建的乌托邦建筑

2023-08-02

临时创造的空间具有无限可能：供人做梦，予人荫庇，与踏入其中者共同解脱于平淡无奇的范式，这也是临时建筑因“不永恒”而拥有的魔力，一定程度上改变了人们对于“建筑”的刻板印象。

下面，就让我们一起进入这些临时搭建的乌托邦，发现建筑的另一种可能。

Temporarily created spaces have infinite possibilities: for people to dream, provide shade, and work together with those who step into them to escape from the mundane paradigm. This is also the magic that temporary buildings possess due to their "impermanence", which to some extent changes people's stereotypes of "architecture".

Next, let's enter these temporary utopians together and discover another possibility of architecture.

候鸟沙城：马岩松“阿那亚戏剧节”新作，秦皇岛 / MAD

在刚刚结束不久的阿那亚戏剧节中，候鸟300是一个十分特殊的板块——比起戏剧，其本身更像一出虚构的戏。因此MAD依据候鸟的宗旨在黄金海岸上建立起一座空想中的城市，隔绝现实又超越现实。

In the recently concluded Anaya Drama Festival, Migratory Bird 300 was a very special segment - more like a fictional play than a drama itself. Therefore, MAD established a utopian city on the Gold Coast based on the purpose of migratory birds, isolating and transcending reality.

▼刘焕章作品《梦》

▼向京作品《康晓亮和刘静》

▼王光乐作品《磷体——在沙滩》

阿那亚戏剧节“候鸟300”海滩临时美术馆 / 合木建筑工作室

时间倒回2021年，这是第一场“候鸟300”活动诞生的时刻；同样有座沙城，沙城另一侧有座半透明的盒子——晃神空间，用来承载影像与装置的展陈。

Looking back to 2021, this is the moment when the first "Migratory Bird 300" event was born; There is also a sand castle, and on the other side of the castle is a semi transparent box called the Shake God Space, which is used to carry the exhibition of images and installations.

JNBY品牌互动展厅，上海 / 北京华汇设计

这座折纸般的临时展厅承担了音乐会、时装秀、展览、宣传等活动，而为了秉持品牌本身的设计理念，设计师在建筑上也充分考虑了实用性与环保性。

This origami like temporary exhibition hall undertakes activities such as concerts, fashion shows, exhibitions, and promotions. In order to uphold the brand's own design philosophy, the designer also fully considers practicality and environmental friendliness in the architecture.

2016蛇形画廊夏季展亭/ Barkow Leibinger

建筑师Barkow Leibinger在了解历史背景之后，设计了一个独立的园型展亭，全方位 360度无死角。它由一系列波浪的条带组成，这些条带也是结构的一部分。波浪的形状让人想起一条条的轮廓线，就像是由铅笔画在纸上的线条。环形条带结构的产生逻辑是自生成的，通过手工一圈圈的卷曲材料构成形状，然后再一一堆叠起来。

With this in mind (temporality and the absent house) Barkow Leibinger designed a Pavilion in-the-round standing free with all its sides visible. It is conceived as a series of undulating lines constituting bands and forming part of the structure that is reminiscent of a contour drawing (or the act of drawing a form without lifting the pencil up from the paper and only looking at the subject). The logic of generating a structure from loops of ribbon is a self-generating one and comes from a logic of making that is, by coiling material in your hands round and round then stacking.

硬纸板教堂 / Cardboard church

该建筑的几何形式来源于原教堂的平面和立面，屋顶由98支等高纸筒构成，纸筒倾斜的角度有着微妙的变化，与6米高的大集装箱共同组成一个三角形。教堂主立面的七彩玻璃象征了对宗教特色的传承，教会人士称其为震后重建的里程碑。

The geometric form of this building comes from the original church's plan and facade, with the roof consisting of 98 equally high paper tubes. The tilt angle of the tubes has subtle changes, forming a triangle together with a 6-meter-high container. The colorful glass on the main facade of the church symbolizes the inheritance of religious characteristics, and church members call it a milestone in post earthquake reconstruction.