BLSI 分享 | 舞动建筑，听见韵律

2023-08-04

当建筑伴随着音乐曼妙起舞，在精神平衡和身体失衡之间的微妙界线上，不规则的表皮已经出现在不同的建筑构成中。

建筑师们用奇幻的曲线，有趣的起伏，将动态的艺术赋予在自己的作品中，增加了多样的变化和趣味，消解了往日如同机器人一般的城市生活，创造了富有新意的空间体验和视觉效果。

在这个讲究速度的时代，起伏和波浪的表面展示的不仅仅是简单的建筑胆识，这些舞动的表皮重新连接人和建筑的价值。

When architecture dances gracefully to music, irregular surfaces have appeared in different architectural compositions at the delicate boundary between spiritual balance and physical imbalance.

Architects use magical curves and interesting undulations to infuse dynamic art into their works, adding diverse changes and fun, dispelling the robot like urban life of the past, and creating innovative spatial experiences and visual effects.

In this era of speed, the undulating and wavy surfaces showcase not only simple architectural courage

These dancing skins reconnect the value of people and architecture.

上海外滩金融中心 / Foster + Partners、Heatherwick studio

上海外滩金融中心是一个大型建筑综合体项目，旨在活跃外滩的生活氛围，坐立于码头的突出位置，成为街道尽头的标志性节点。

南部坐落着两栋180米高的建筑，项目中的建筑高低前后错落，展现出独特韵律，并与其周围的19世纪标志性建筑相呼应。

The Shanghai Bund Financial Center is a large-scale architectural complex project aimed at revitalizing the living atmosphere of the Bund, sitting in a prominent position at the pier, and becoming a landmark node at the end of the street.

Two 180 meter high buildings are located in the south, and the buildings in the project are staggered in height, showcasing a unique rhythm that echoes the iconic 19th century buildings around them.

▲基金会外立面

▲基金会外围设计分解图

苏州湾大剧院 / Christian de Portzamparc

苏州湾文化中心位于苏州吴江太湖东岸，是苏州湾启动总体规划的标志性项目。文化中心处在轴线尽端湖岸之上的重要位置，蓝图上的城市以一条垂直湖岸的宽阔步道为中轴线，人们可以在那里相遇。

Suzhou Bay Cultural Center is located on the east bank of the Taihu Lake Lake, Wujiang River, Suzhou. It is a landmark project for the launch of the overall planning of Suzhou Bay. The cultural center is located at an important position on the lakeside at the end of the axis, and the city in the blueprint is centered on a wide trail perpendicular to the lakeside, where people can meet.

▼设计草图

大阪皇家经典酒店 / Hotel Royal Classic Osaka

大阪皇家经典酒店（Hotel Royal Classic Osaka）前身为大阪新歌舞伎座，由日本建筑大师隈研吾操刀完成。设计的核心理念为延续大阪新歌舞伎座的传统，结合现代审美与手段，带来直击灵魂的奢华体验。

Hotel Royal Classic Osaka, formerly known as Osaka New Kabuki-za, was completed by Japanese architect Kengo Kuma. The core idea of the design is to continue the tradition of the new Kabuki-za in Osaka, combine modern aesthetics and means, and bring a luxurious experience that hits the soul directly.

“均衡器”工作室 The Equalizer / Delution

对建筑师来说，韵律一词成了设计方案的关键概念，去连接建筑的三个功能：制作工作室、音乐工作室、和芭蕾舞室。建筑师试图在三者中找到灵感，而「韵律」的构想也引发了运用均衡器的外形形式去展现的手法。均衡器的高低调节展现出的韵律，就如同其他电影、音乐、和芭蕾舞的艺术形式，也让建筑形式能够呈现出如其机能一般的韵律感。

For architects, the term rhythm has become a key concept in the design scheme, connecting the three functions of the building: production studio, music studio, and ballet studio. Architects attempted to find inspiration among the three, and the concept of 'rhythm' also sparked the use of equalizer shapes to showcase the technique. The height adjustment of the equalizer displays rhythm, just like other art forms such as movies, music, and ballet, allowing architectural forms to present a sense of rhythm similar to their functions.